
Futura is a geometric sans-serif typeface designed by Paul Renner between 1924 and 1926 and was the most popular sans serif typeface before Helvetica and Universe.
It is based on geometric shapes that became representative visual elements of the Bauhaus design style of 1919-1933. Futura was commercially released in 1927.
Paul Renner believed that a modern typeface should express modern models rather than be a revival of a previous design. In designing Futura, Renner avoided the decorative, eliminating non-essential elements.
In my opinion, Futura is like a bridge between the traditional and the modern. If you look at each single word of Futura, you will find out each word looks like a sculpture, simple, elegant and forwardness.
The readability and legibility of Futura is not quite well in large amounts of text. For example, the “t” and “j” do not have usual tails or curves but instead of straight lines and the capital letter “L” and the low case letter “l” looks quite similar in Futura.
Futura Usage

Verdana

Verdana is a humanist (the letterforms to some degree evoke traditional Renaissance pen letterforms) sans-serif typeface designed by Matthew Carter for Microsoft Corporation. It is one of the most widely used fonts on the web.

The font was designed for using at small sizes on computer monitors. Verdana has large x-height, large counters (such as “c” and “s”), wide proportions, loose letter spacing and other features that help to identify letters and tell similar ones apart at small sizes.
IKEA Case
IKEA recently make a decision that is to give up the Futura font, in used for about 50 years and switch to Verdana. Many IKEA fans and designers are displeased with the change. To be honest, Verdana is good to be used on screens but bad in prints. The fonts are not as elegant as Futura. So when the new IKEA catalogue 2010 was released, many readers descript it as “a disaster”


From another perspective, choosing Verdana is not such a bad idea because it allows the company to use the same typeface in all countries. The capital letter “I” and low case letter “L” in Verdana are obviously more readable in terms of display than those in Futura. Also there are comments that Verdana’s number designs are better than that per Verdana’s. Concretely speaking, the cost of using Verdana is definitely low than that of Futura.

But the main problem is: Does it really satisfy the readers demand? If the message you are trying to communicate does not need to show the “avant-garde” so use the classic font? It may seem a lack of creativity, but your readers might be more familiar, so it will become readable because of the trust coming from the readers.











































